Inquadrami
Catalogue all
da "Com que voz"
for: baritone and large ensemble
detailed instrumentation: baritone, flute (also piccolo and G-Flute), oboe (also English horn), clarinet in B flat (also basset horn and bass clarinet), bassoon (also Contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone (also bass trumpet in B flat), percussion I, percussion II, Cimbalom and Percussion III, Portuguese guitar, Spanish guitar, harp, accordion, piano (also celesta - five octaves), violin I, violin II (also played with e-bow), viola, violoncello and double-bass
duration: about 40'
first performance: 8.4.17, Kiev, Plivka, Ukho Ensemble Season 2016 - 2017, Ukho Ensemble, Frank Wörner, conductor Luigi Gaggero
for: large ensemble
detailed instrumentation: flute (also G-flute), oboe (also English horn), clarinet in B flat (also bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone, percussion I, percussion II, harp, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings)
duration: about 11'
commission: Ensemble InterContemporain
first performance: 30.3.17, Paris, Philharmonie, Ensemble InterContemporain, conductor Matthias Pintscher
da Diabelli-Variationen op. 120, rielaborazione per quattordici strumenti
for: fourteen musicians
detailed instrumentation: 1.1.1.1./1.1.1.0./perc./piano, accordion/strings (1.0.1.1.1.)
duration: about 5'30''
commission: Divertimento Ensemble
first performance: 18.1.16, Milano, Italy, Teatro Litta, Divertimento Ensemble, conductor Sandro Gorli
Musica notturna dal silenzio della montagna, su versi di Saigyō, per voce e quartetto d’archi
for: voice and string quartet
duration: about 13'
commission: Mrs Ryoko Aoki
first performance: 1.09.16, Tokyo, Umberto Agnelli Hall, Italian Cultural Institute Tokyo, Italy meets Noh!, Ryoko Aoki, Quatuor Diotima
Multichannel time-evolving sound installation
duration: about 30'
commission: Istituto Italiano di Cultura - Paris
first performance: 26.5.16, Paris, Istituto Italiano di Cultura, Hôtel de Galliffet,  opening of "Viale dei canti" by Giuseppe Caccavale, live electronics Marco Liuni, Alvise Vidolin
sei liriche di Lorenzo Calogero
for: mezzosoprano, piano and live electronics
duration: about 17'
first performance: 26.5.16, Paris, Hôtel de Galliffet, Istituto Italiano di Cultura, Monica Bacelli (mezzosoprano), Giulio Biddau (piano), Marco Liuni, Alvise Vidolin (live electronics)
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.0.0./perc.I.II./harp and strings (10.8.6.5.4.)
duration: about 13'
commission: Fondazione Orchestra Haydn
first performance: 22.03.16, Bolzano, Auditorium, Symphonic Season 2015-16, Orchestra Haydn, conductor Dietrich Paredes
for: double bass
duration: about 16'
commission: Radio France
for: bass clarinet
duration: about 11'
commission: Armand Angster
first performance: 7.11.15, Parma,  Casa della Musica, Festival Traiettorie, Armand Angster
for: two oboes
duration: about 6'
first performance: 9.6.15, Milano, Rondò 2015, Palazzina Liberty, Luca Avanzi, Cristina Ruggirello
da Robert Schumann, Zwölf Vierhändige Clavierstücke für kleine und große Kinder, op. 85 n. 12
for: piano and live electronics
duration: 4' 50''
first performance: 28.11.15, Venice, Conservatorio Benedetto Marcello, Ex Novo, Aldo Orvieto (piano), Alvise Vidolin (live electronics)
a song concert upon fados by Amália Rodriguez
for: for female voice, large ensemble and live electronics
detailed instrumentation: fado singer (female), flute (also piccolo and G-flute), oboe (also English horn), clarinet in B flat (also basset horn and bass clarinet), bassoon (also contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone (also bass trumpet in B flat), percussion I, percussion II, cimbalom and percussion III, Portuguese guitar, Spanish guitar, harp, accordion, piano (also celesta - five octaves), violin I, violin II, viola, violoncello, double-bass (five strings) and live electronics
duration: about 65'
commission: IRCAM-Centre Pompidou
first performance: 15.3.15, Orléans, Scène Nationale d'Orléans, Salle Barrault, Cristina Branco, voice, Ensemble Cairn, conductor Guillaume Bourgogne
third book (XIII-XVIII)
for: piano
duration: about 15'
first performance: 20.4.15, Bergamo, Società del Quartetto di Bergamo, Sala Alfredo Piatti, Sara Costa
terzo quartetto per archi
for: string quartet
duration: about 29'
commission: Bludenzer Tage zeitgemäßer Musik, Quatuor Diotima and Milano Musica
first performance: 21.11.14, Bludenz, Bludenzer Tage zeitgemäßer Musik, Quatuor Diotima
tre madrigali a cinque voci su testi di Torquato Tasso
for: vocal ensemble (S. MS. CT. T. B.)
duration: about 12'
commission: Exaudi with funding from Diaphonique, a Franco-British contemporary music fund supported by the Institut Français, the Sacem, the Bureauexport de la Musique, the British Council and Ministère de la Culture et de la Communication
first performance: 18.10.14, London, Bishopsgate Institute, Grate Hall, Exposure 2014, Exaudi Vocal Ensemble
for: cimbalom solo
duration: about 4'
first performance: 21.9.14, Schwaz (Austria), Maria-Hilf-Kirche Kronburg, Klangspuren, Tirol New Music Festival, Luigi Gaggero
for: accordion and live electronics ad libitum
duration: about 20'
first performance: 21.3.14, Naples, Chiesa di Santa Caterina da Siena, Fondazione Pietà dei Turchini Musical Season, Francesco Gesualdi (incomplete version premiere); 6.11.14, Padua, Auditorium Pollini, I concerti del Centro d'Arte, Fanny Vicens (accordion), Alvise Vidolin, Luca Richelli (live electronics) (premiere of the complete version with live electronics)
sei poesie di José Ángel Valente per controtenore e corno
for: countertenor and french horn
duration: about 15'
commission: French Ministry of Culture and Cumulus
first performance: 5.7.14, La Charité-sur-Loire (France), Festival Format Raisins, countertenor Kai Wessel, horn Olivier Darbellay
for: female voice and piano
detailed instrumentation: soprano or mezzo-soprano, piano
duration: 11'
first performance: 31.5.14, Trieste, Casa della Musica, Risuonanze, voice Akiko Kozato, piano Adele D’Aronzo
for: soprano saxophone solo
duration: about 9'
first performance: 2.8.14, Rostrenen (France), Les Rencontres Musicales du Kreiz Breizh, Alexandre Souillart
for: cello and symphonic orchestra
detailed instrumentation: solo cello, 3.3.3.3./4.3.3.1./perc. I.II.III.IV, harp, strings (14.12.10.8.6.)
duration: about 17'
commission: Teatro alla Scala
first performance: 20.1.14, Milano, Teatro alla Scala, Symphonic Season 2013 - 2014, Francesco Dillon, Filarmonica della Scala Orchestra, conductor Susanna Mälkki
second book (VII-XII)
for: piano
duration: about 12'
for: violin and piano
duration: about 15'
commission: Ex Novo Musica
first performance: 16.12.12, Venezia, Gran Teatro La Fenice, Ex Novo Musica 2012, violin Lina Uinskyte, piano Aldo Orvieto
da Mozart, KV 356
for: toy-piano (or celesta) and violin
duration: about 4'
first performance: 16.12.12, Venezia, Gran Teatro La Fenice, Ex Novo Musica 2012, violin Lina Uinskyte, toy-piano Aldo Orvieto
Apéro bouffe en sept scènes d’après des motifs et des textes de Giordano Bruno, Carl von Linné, Marylin Monroe et d’autres
for: soprano, countertenor, baritone, three actors, recorders and Paetzold flutes player, horn and alphorn player, cimbalom player, six percussion players and live electronics
detailed instrumentation: Computer music designer: Carmine Emanuele Cella
duration: about 1h 30'
commission: French Ministry of Culture and les Percussions de Strasbourg
first performance: 22.9.12, Théâtre National, Festival Musica 2012, sopr. J. Fraser, cten. C. Field, bar. G. John, fl. A. Politano, cimbalom L. Gaggero, hrn. O. Darbellay, Les Percussions de Strasbourg, live electronics C.E. Cella
for: violin solo
duration: about 5'
first performance: 25.10.12, Latina, Teatro Cafaro, Festival Pontino di Musica, Lina Uinskyte
madrigali per dodici voci soliste e violino
for: twelve solo voices and violin
detailed instrumentation: S. I,II,III A. I,II,III T. I,II,III B. I,II,III
duration: about 13'
commission: KlangForum Heidelberg and Milano Musica
first performance: 24.10.11, Milan, Teatro Elfo Puccini, Festival di Milano Musica, Schola Heidelberg, violin Lina Uinskyte, conductor Walter Nussbaum
for: percussion, string trio and brass trio
detailed instrumentation: horn, trumpet, trombone, solo percussion, violin, viola and cello
duration: about 15'
commission: Kunstfest Weimar GmbH for "Pèlerinages 2011"
first performance: 27.8.11, Weimar, Weimarhalle, Kunstfest Weimar 2011, Festival "Pèlerinages", Klangforum Wien, conductor Sylvain Cambreling
versione concertante
for: trombone, percussion and ensemble
detailed instrumentation: solo trombone and percussion, flute, clarinet, bassoon, horn, percussion, harp, piano, violin, viola, cello and double-bass
duration: about 17'
commission: Contrechamps
first performance: 10.5.11, Geneva, Studio Ernest Ansermet, Jean-Marc Daviet, trombone, François Volpé, percussion, Ensemble Contrechamps, conductor Michael Wendeberg
for: seven voices
detailed instrumentation: 2 sopranos, alto, 2 tenors, baritone, bass
duration: about 13'
commission: Commissioned by WDR, supported by Ernst von Siemens Musikstiftung and SACEM, for the Wittener Tage für neue Kammermusik
first performance: 7.5.11, Witten, Tage für Neue Kammermusik, Schola Heidelberg, conductor Walter Nußbaum
for: soprano, violin, viola and cello
duration: 15'
commission: Domaine de Kerguéhennec (for the songs "Im Herbst", "Im Winter", "Im Sommer")
first performance: 7.5.11, Witten, Tage für Neue Kammermusik, Natalie Raybould, L’Instant Donné string trio (previous version as "Drei Aster Lieder": 17.6.07, Paris, Ircam, Festival Agora, Melody Louledjian, L’Instant Donné)
for: viola solo, viola (in echo) and bass flute
duration: about 6'30''
first performance: 7.5.11, Witten, Tage für Neue Kammermusik, Geneviève Strosser, Muriel Cantoreggi (violas), Cédric Jullion (flute)
for: vocal sextet and string sextet
duration: about 40'
first performance: 6.5.11, Witten, Tage für Neue Kammermusik, Exaudi, L’Instant Donné, conductor James Week
for: trombone and percussion
duration: 13'
commission: Contrechamps, Geneva
first performance: 10.5.11, Geneva, Studio Ernest-Ansermet, Jean-Marc Daviet, François Volpé
for: female voice and ensemble
detailed instrumentation: mezzo-soprano (or soprano), flute, clarinet, percussion, harp, piano, violin and cello
duration: about 6'
commission: French Ministry of Culture
first performance: 6.10.11, Strasbourg, Salle de la Bourse, Festival Musica 2011, soprano Françoise Kubler, Accroche Note
a song concert upon sonnets by Luís Vaz de Camões and fados by Amália Rodrigues
for: for fado singer, baritone, large ensemble and live electronics
detailed instrumentation: fado singer (female), baritone, flute (also piccolo and G-Flute), oboe (also English horn), clarinet in B flat (also basset horn and bass clarinet), bassoon (also Contrabassoon), horn in F, trumpet in B flat (also piccolo trumpet in B flat), trombone (also bass trumpet in B flat), percussion I, percussion II, Cimbalom and Percussion III, Portuguese guitar, Spanish guitar, harp, accordion, piano (also celesta - five octaves), violin I, violin II (also played with e-bow), viola, violoncello, double-bass and live electronics
duration: about 1h 20'
commission: Ircam, Casa da Música (Porto), Ensemble Modern and Radio France (1st version); Nieuw Ensemble (2nd version)
first performance: first version: 17.2.08, Porto, Casa da Música, Cristina Branco, voice, Frank Wörner, baritone, Ensemble Modern, conductor Franck Ollu; revised version: 10.2.10, Utrecht, Vredenburg Leidsche RIjn, Cristina Branco, voice, Frank Wörner, baritone, Nieuw Ensemble, conductor Etienne Siebens
first book (I-VI)
for: piano
duration: about 12'
for: flute
duration: about 9'
commission: Mr. Luca Innocenti
first performance: 13.9.10, Bergamo, Serate Musicali del Teatro alle Grazie, Vanessa Innocenti
trascrizione per flauto, violino e viola da Johann Sebastian Bach
for: flute (in C, piccolo, alto and bass), violin and viola
commission: Domaine de Kerguéhennec
first performance: 31.5.09, Bignan, Domaine de Kerguéhennec, Mario Caroli (flutes), Muriel Cantoreggi (violin), Geneviève Strosser (viola)
for: cimbalom and ensemble
detailed instrumentation: cimbalom solo, flute, oboe, clarinet, percussion, piano, violin, viola and cello
duration: about 25'
commission: Spectra Ensemble
first performance: first version (in 5 movements): 28.9.09, Venice, 53th Biennale Musica, Spectra Ensemble, cimbalom Luigi Gaggero, conductor Filip Rathé; final version (in nine movements): 29.1.16, Ghent, De Bijloke, Spectra Ensemble, cimbalom Luigi Gaggero, conductor Filip Rathé
for: ensemble
detailed instrumentation: flute, oboe, clarinet, percussion, piano, violin, viola and cello
duration: 23'
commission: Lodovico e Angioletta Meneghetti
first performance: 13.6.09, Monza, Italy, Rondò 2009, Teatrino di Corte della Villa Reale, Divertimento Ensemble, conductor Sandro Gorli
for: violin and viola
duration: about 12'
commission: Domaine de Kerguéhennec
first performance: 31.5.09, Bignan (France), Domaine de Kerguéhennec, Muriel Cantoreggi, Geneviève Strosser
for: large symphonic orchestra
detailed instrumentation: 4.4.4.4./8.4.4.2./2 harps and strings (16.14.12.10.8.)
duration: 18'
commission: Suntory Limited for Suntory Hall International Program for Music Composition 2008
first performance: 29.08.08, Tokyo, Suntory Hall, Suntory Music Foundation's Summer Festival 2008 "Music Today 21", Tokyo Metropolitan Symphony Orchestra, conductor Yoichi Sugiyama
for: double-bass and seventeen instruments
detailed instrumentation: solo double-bass, 1.1.2.1./1.1.1.1./3perc./harps/string quintet
duration: about 16'
commission: Schleswig-Holstein Musik Festival 1998; musikFabrik (for the final version)
first performance: (version 1998): 22.8.98, Hamburg, Schleswig-Holstein Musik Festival, Klangforum Wien, double-bass Frédéric Stochl, conductor Sylvain Cambreling
(final version 2007): Köln, WDR, musikFabrik, double-bass Michael Tiepold, conductor Etienne Siebens
tre studi per viola e live electronics (Étude d'altitude - Étude de solitude - Étude de similitude)
for: viola and live electronics
duration: about 15'
commission: SO.GE.DA-Printemps des Arts de Monte-Carlo, Montecarlo
first performance: 15.04.07, Monte Carlo, Printemps des Arts de Monte-Carlo, Geneniève Strosser
for: countertenor, oboe and trombone
duration: 8’30”
commission: Contrechamps
first performance: 3.10.07, Strasbourg, Festival Musica, Kai Wessel, Béatrice Zawodnik and Jean-Marc Daviet
for: string quartet
duration: 27'
commission: WDR Köln for Wittener Tage für neue Kammermusik 2006
first performance: 7.5.06, Witten, Tage für Neue Kammermusik, Arditti String Quartet
Capriccio dopo la fantasia
for: two pianos and two percussionists
duration: about 14'
commission: Arditi Foundation, Geneva
first performance: 20.5.06, Geneva, Contrechamps, Radio Suisse Romande, Studio Ernest-Ansermet, Quatuor Makrokosmos
for: piano and symphonic orchestra
detailed instrumentation: solo piano, 3.3.3.3./4.3.3.1./perc. I.II.III.IV, 2 harps, cymbalom and strings (14.12.10.8.6.)
duration: about 14'
commission: OSN RAI Orchestra (RAI National Symphonic Orchestra)
first performance: 26.10.06, Torino, Auditorium RAI, Symphonic Season 2006-07, Jenny Lin, OSN RAI Orchestra, conductor Lothar Zagrosek
for: piano and orchestra
detailed instrumentation: solo piano, 2.2.2.2./2.2.2.0./perc. I.II.III.IV, harp and strings (12.10.8.6.4.)
duration: about 10'
commission: Fondazione Concorso Internazionale Ferruccio Busoni - Bolzano festival Bozen
first performance: 24.8.05, Bolzano, Nuovo Teatro Comunale, Bolzano Festival Bozen, Massimiliano Damerini, Orchestra Haydn, conductor Ola Rudner
for: soprano, euphonium, horn and live electronics
duration: about 15'
commission: IRCAM, Paris
first performance: provisional version: 26.2.94, Paris, IRCAM, Luisa Castellani, Gérard Buquet final version: 20.1.06, Paris, Grande Salle du Centre Pompidou, Claire Booth (soprano), Jens McManama (horn), Arnaud Boukhitine (euphonium), Thomas Goepfer (IRCAM computer music production)
for: string quartet
duration: 7'30"
first performance: 8.10.05, Bologna, Accademia Filarmonica, Quartetto Prometeo
for: percussion, double trio and cymbalom
detailed instrumentation: solo percussion and cymbalom, flute, clarinet, horn, viola, cello, double-bass
duration: about 23'
commission: Contrechamps, Geneva
first performance: 7.12.04, Geneva, Salle Communale de Plainpalais, Ensemble Contrechamps, percussion François Volpé, cymbalom Luigi Gaggero, conductor Jurjen Hempel
for: double string trio
duration: about 22'
commission: WDR Köln for Wittener Tage für neue Kammermusik 2004
first performance: 24.4.04, Witten, Tage für Neue Kammermusik, Arditti String Quartet, Trio Recherche
for: vocal ensemble
detailed instrumentation: soprano, mezzosoprano, countertenor, tenor, baritone, bass
duration: about 23'
commission: French Ministry of Culture
first performance: 24.9.03, Stuttgart, Musik der Jahrhunderte im Theaterhaus Pragsattel, Neue Vocalsolisten
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.2.0./perc. I.II.III.IV/cel., harp and strings (12.10.8.6.4)
duration: about 17'
commission: Radio France
first performance: 4.11.06, Milano, Sala Verdi del Conservatorio "G. Verdi", Milano-Musica 2006, OSN RAI Orchestra, conductor Lothar Koenigs
for: twenty-two strings
detailed instrumentation: strings (6.6.4.4.2.)
duration: about 13'
commission: Internationale Stiftung Preis E. Balzan-Fonds, Zurich
first performance: 4.7.03, Zurich, Tonhalle, Zürcher Festspiele 2003, Zürcher Kammerorchester, conductor Howard Griffiths
for: voice and chamber ensemble
detailed instrumentation: 1st version: soprano, flute, trumpet, percussion, harp and cello; 2nd version: soprano, flute, clarinet, piano, violin and cello
duration: about 15'
first performance: of the 1st (incomplete) version: 24.10.92, Cologne, Ensemble Avantgarde, conductor Steffen Schleiermacher / of the 1st (complete) version: 21.4.94, London, Purcell Room, Capricorn Ensemble, Sarah Leonard / of the 2nd (incomplete) version: 29.1.93 New York, Focus! The new Europeans, the New Juilliard Ensemble, conductor Joel Sachs / of the 2nd (complete) version: 2.11.03, Brussels, Théàtre Marni, Festival Europalia, Divertimento Ensemble, soprano Margherita Chiminelli, conductor Sandro Gorli
for: one percussion player
duration: about 16'
commission: Deutschland Radio-Berlin
first performance: 23.1.03, Berlin, UltraSchall - Das Festival für neue Musik, Christian Dierstein
for: mezzo-soprano, flute, clarinet, percussion, piano/celesta and string quintet
duration: about 10'
commission: WDR Köln for Wittener Tage für neue Kammermusik 2002 and Ensemble Cikada
first performance: 28.4.02, Witten, Tage für Neue Kammermusik, Ensemble Cikada, Loré Lixenberg, Christian Eggen
for: flute and eleven couples of musicians
detailed instrumentation: solo flute, 2.2.0.0./2.2.2.0./perc. I.II/ 2 pianos (a grand piano and an upright piano) and strings (2.0.2.2.2.)
duration: about 23'
commission: Contrechamps, Geneva
first performance: 11.12.01, Geneva, Bâtiment des Forces Motrices - Salle Théodore Turrettini, Ensemble Contrechamps, flute Mario Caroli, conductor Heinz Holliger
for: eight instruments
detailed instrumentation: flute, English horn, clarinet, percussion, piano and string trio
duration: about 5'
commission: Ensemble Recherche
first performance: 15.11.01, Paris, Festival d'Automne à Paris, Ensemble Recherche
for: string quartet
duration: about 22'
commission: ProQuartet-Centre Européen de Musique de Chambre and Fondation Royaumont, Paris
first performance: 15.9.01, Paris, Royaumont, Voix Nouvelles, Quartetto Prometeo
for: piano
duration: about 13'30''
commission: Ms. Jenny Lin and Mr. Luca Sabbatini
first performance: 22.3.00, Brussels, Ars Musica, Jenny Lin
ricreazione da Claudio Monteverdi
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.0.0./perc.I.II./ strings (8.6.6.4.4.)
duration: 7'
commission: Mrs. Mariuccia Rognoni
first performance: 6.5.00, Milan, Sala Verdi del Conservatorio, Musical Season of the Pomeriggi Musicali, "I Pomeriggi Musicali" Orchestra, conductor Andrea Pestalozza
for: seven instruments
detailed instrumentation: alto flute, clarinet, trombone, violin, viola, cello and double-bass
duration: about 12'
commission: L'Itinéraire, Paris
first performance: 19.2.00, Paris, Radio France, Présences 2000, Plural Ensemble, conductor Mark Foster
for: flute
duration: 15'
commission: Mr. Mario Caroli
for: baritone saxophone, percussion and piano
duration: 14'30
commission: Südwestrundfunk Baden-Baden for the Donaueschinger Musiktage
first performance: 21.10.00, Donaueschingen, Donaueschinger Musiktage 2000, Trio Accanto
(Tornasole - Vigilia - Terzo paesaggio senza peso)
for: viola (Tornasole); cello (Vigilia); double-bass (Terzo paesaggio senza peso)
detailed instrumentation: three solo pieces; trio version (viola, cello and double-bass)
duration: about 13' (Tornasole); about 8'30 (Vigilia); about 4' (Terzo paesaggio senza peso)
commission: Collegium Novum Zurich (for the trio version)
first performance: 17.2.98, Geneva, Conservatoire, Isabelle Magnenat (Tornasole) 24.10.95, Roma, Nuova Consonanza, Pierre Morlet (Vigilia) October 1989, Palermo, participants in the 2nd National Competition for String Players (Terzo paesaggio senza peso) trio version: 11.5.00, Zurich, Musikhochschule, Collegium Novum (Trittico Grave)
for: twelve instruments
detailed instrumentation: flute, hobo, clarinet, percussion, guitar, mandolin, piano/celesta, harp, violin, viola, cello and double-bass
duration: about 13'
commission: Milano Musica and the Nieuw Ensemble Amsterdam
first performance: 25.10.99, Milan, Teatro dell'Arte, Milano Musica - Percorsi di Musica d'Oggi, Nieuw Ensemble, conductor Renato Rivolta
for: two singers-actors and an accordionist
duration: about 15'
commission: XVIIth Musik-Biennale, Berlin
first performance: 8.12.08, Paris, Université Paris VIII, Symphosium "Pour une scène actuelle", double world premiere by Antoine Gindt (T&M) and Nicholas Till (Electric Voice Theatre by Frances Lynch)
Hommage à Schumann-Celan
for: obbligato string trio and three echo trios
detailed instrumentation: flute, oboe, clarinet, bassoon, horn, percussion, piano and string quintet
duration: about 17'30''
commission: Milano Musica
first performance: 15.10.97, Milan, Milano Musica - Percorsi di Musica d'Oggi, Ensemble Alter Ego, conductor Renato Rivolta
for: sixteen instruments
detailed instrumentation: 2.1.0.1./2.0.0.0./perc.I.II./accordion, piano, harp and string quintet
duration: about 11'
commission: Festival d'Automne à Paris - Contrechamps
first performance: 29.11.96, Geneva, Cité Bleue, Ensemble Contrechamps, conductor Emilio Pomarico
for: female voice, flute, clarinet, percussion, piano and string quartet
duration: about 9'
first performance: 5.10.95, Strasbourg, Musica, Ensemble Recherche, mezzo Katherine Ciesinski, conductor Pascal Rophé (revised version): 12.3.96, Geneva, Archipel, Ensemble Contrechamps, soprano Luisa Castellani, conductor Giorgio Bernasconi
for: six percussion players
duration: about 14'
commission: the French Ministry of Culture
for: viola and fifteen musicians
detailed instrumentation: solo viola, 1.1.1.1./1.1.1.0./perc. I.II/piano and cel. (1 player), harp and strings (1.0.1.1.1.)
duration: about 26'
first performance: (revised version): 5.7.95, Venice, Biennale Musica, Klangforum Wien, viola Geneviève Strosser, conductor Beat Furrer
for: female voice, bass flute, viola and percussion
duration: about 5'
commission: Archipel 1996 Festival in Geneva
first performance: 12.3.96, Geneva, Archipel, Ensemble Contrechamps, soprano Luisa Castellani, conductor Giorgio Bernasconi
for: violin, viola and cello
duration: about 15'
commission: WDR - Köln
first performance: 22.4.95, Witten, Tage für Neue Kammermusik, Recherche String Trio
Vagabonderia severa per ventitré musicisti
for: twenty-three musicians
detailed instrumentation: 2.1.2.1./2.1.1.1./perc.I.II.III./piano, harp and strings (1.1.2.2.1.)
duration: about 19'
commission: Ensemble InterContemporain, Paris
first performance: 23.1.95, Paris, IRCAM, Ensemble InterContemporain, conductor Markus Stenz
for: female voice, flute, clarinet, piano, violin and cello
duration: about 7'
first performance: 20.10.94, Paris, Festival d'Automne à Paris, Ensemble Contrechamps, conductor Zolt Nagy
for: ensemble
detailed instrumentation: 1.0.1.0./1.0.0.0./2 perc./piano, violin and cello
duration: about 17'
commission: French Ministry of Culture
first performance: 15.2.94, Paris, Radio France, Présences 1994, Ensemble FA, conductor Dominique My
for: voice and ten players
duration: about 3'
for: orchestra
detailed instrumentation: 2.2.2.2./2.2.0.0./perc.I.II./cel., harp and strings (10.8.5.5.3.)
duration: about 10'
first performance: 1st version: May 1991, Florence, ORT's Musical Season, Orchestra Regionale Toscana, conductor Donato Renzetti; 2nd version: 16.11.92, Vienna, Wien Modern, ORF Symphonieorchester, conductor Bernhard Kontarsky
for: eight instruments
detailed instrumentation: flute, clarinet, bassoon, horn, piano, violin, viola and cello
duration: about 7'30''
first performance: 18.10.92, Milan, Nuove Sincronie, Ensemble L'Itinéraire, conductor Philippe de Chalendar
for: recorder, flute, harp and harpsichord
duration: 9'
for: six percussion players
duration: about 11'
first performance: 17.5.91, Amsterdam, Slagwerkgroep Den Haag
Sinfonietta per flauto e violino concertanti
for: flauto e violino concertanti e ensemble
detailed instrumentation: 1.1.2.1./1.1.1.0./1 perc., cel. and string quintet
duration: about 15' 30''
first performance: 28.11.91, Montreal, Forum 91, Le Nouvel Ensemble Moderne, conductor Lorraine Vaillancourt
for: flute and violin
duration: about 9'
first performance: 6.10.92, Trieste, Civico Museo Revoltella, Annamaria Morini (flute), Enzo Porta (violin)
for: double-bass and ensemble
detailed instrumentation: solo double-bass, 1.0.2.1./0.0.0.0./perc.I.II.III./guitar, alto and cello
duration: about 6'
first performance: 7.9.90, Amsterdam, International Gaudeamus Music Week, Thom de Ligt (double-bass), NOS Radio Kamer Orkest, Elgar Howarth (conductor)
for: flute, voice, ensemble and tape
detailed instrumentation: obbligato flute and soprano, 1.1.2.1./2.1.1.0./perc.I.II.III./cel., harp, strings (3.0.2.1.1.) and tape
duration: about 14'
first performance: 21.10.90, New York, Settembre Musica, OSER "A. Toscanini" Instrumental Ensemble, soprano Victoria Schneider, flute Sandor Nagy, conductor Giuseppe Garbarino
for: alto flute, clarinet and string trio
duration: about 11'
first performance: 22.11.90, Milan, Nuove Sincronie, Ensemble Recherche
for: symphonic orchestra
detailed instrumentation: 3.3.3.3./4.3.3.0./perc. I. II. III. IV. /cel., harp and strings (14.12.10.8.6.)
duration: about 7'30
first performance: 13.9.89, Parma, Teatro Farnese, OSER "A. Toscanini" Symphonic Orchestra, Hubert Soudant (conductor)
for: clarinet quartet
duration: about 8'30"
first performance: 26.9.89, Assisi, Seconda Rassegna di Musica Moderna e Contemporanea, Claravoce Clarinet Quartet
for: soprano, flute, clarinet and piano
duration: about 13'
first performance: 25.2.89, Berlin, XII Musik Biennale, Gladys de Bellida (soprano), Micromégas Ensemble
for: voice and nine instruments
detailed instrumentation: soprano, 1.1.1.1./1.0.0.0./string quartet
duration: 9'30
first performance: 10.9.88, Cernobbio (Como), Festival Lario Musica, Luisa Castellani (soprano), Quintetto Arnold, Arditti String Quartet, Emilio Pomarico (conductor)
for: symphonic orchestra
detailed instrumentation: 3.3.3.3./4.3.3.1./perc. I.II.III.IV./piano, harp and strings (14.12.10.8.6.)
duration: about 14'50
first performance: August 87, Parma, Teatro Farnese, OSER "A. Toscanini" Symphonic Orchestra, Olaf Henzold (conductor)
for: voice, clarinet, viola and three percussion players
duration: about 13'
first performance: 12.2.03, Geneva, Salle Communale de Plainpalais, Rosemary Hardy (soprano), Ensemble Contrechamps, Stefan Asbury (conductor)
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